See Curatorial
Contains 47 Results:
Forbidding Canyon, Glen Canyon, 1964-09
Close-up of two sheared vertical rock face formations creating a V-shaped cleavage; viewer right rock formation in dark shadow, two small shadows on rock face to the left, smaller conical rock formation in the distance.
Jimsonweed (Datura stramonium), between 1964 and 1968
Close up portrait of two white jimson weed flowers; some of the petal edges are bent forward; partial shadow over pistol and stamen, flower surrounded by dark leaves.
Forbidding Canyon, Glen Canyon, 1964-09
Close-up of two sheared vertical rock face formations creating a V-shaped cleavage; rock formations in dark shadow with smaller conical rock formation in the distance.
Georgia O'Keeffe exhibition, 291 Gallery, 1917
A photograph of one O'Keeffe watercolors at Stieglitz's 291 Gallery; grey cloth walls and black skirt under the gallery shelf. Originally housed in a folder labeled in O'Keeffe's handwriting: 2nd Show 291.
Roofless Room, 1959 or 1960
Exterior room at the Abiquiu house with latillas (juniper or alder branches) used for the ceiling; graphic shadows of the crisscrossing ceiling branches on the floor and wall.
Georgia O'Keeffe exhibition, 291 Gallery, 1917
Installation view of five of O'Keeffe's works on paper mounted on a grey fabric wall. Works from viewer left to right: Train At Night In The Desert, 1916, watercolor and graphite; No. 15 Special, 1916-1917, graphite; double hung watercolors: Sunrise And Little Clouds No. 11, 1916, and Morning Sky With Houses, 1916; and Blue, Green And Red, 1916, watercolor.
Georgia O'Keeffe exhibition, 291 Gallery, 1917
A copy print of two O'Keeffe watercolors and small sculpture, Abstraction, at Stieglitz's 291 Gallery; grey cloth walls and black skirt under the gallery shelf.
Todd Webb, 1956-07
Portrait of Todd Webb smiling and holding a cigarette while standing in the doorway of the Salita with one hand leaning against the wall, with one knee bent and wearing a light colored shirt with a light meter cord around his neck. The sleeves of his shirt are rolled up and in the two breast pockets are a pen and a small case, most likely a light meter case. Photograph likely printed by Todd Webb.
Seagram Building, New York, between 1958 and 1965
View of a modern skyscraper, Seagram Building, looking upward. The metal and glass of the windows create an expansive pattern of geometric squares.
