Box 1
Container
Contains 27 Results:
Correspondence, 1957
File — Box: 1, Folder: 10
Identifier: Series 1
Overview
Includes an enclosure from Alfred A. Holbrook at the Georgia Museum of Art.
Dates:
1957
Correspondence, 1958
File — Box: 1, Folder: 11
Identifier: Series 1
Overview
Includes notes and letters from and to William D. Peat at the John Herron Art Institute.
Dates:
1958
Correspondence, 1959
File — Box: 1, Folder: 12
Identifier: Series 1
Overview
Includes letters from Doris Bry.
Dates:
1959
Correspondence, 1960
File — Box: 1, Folder: 13
Identifier: Series 1
Overview
Includes letters from Doris Bry.
Dates:
1960
Correspondence, 1961
File — Box: 1, Folder: 14
Identifier: Series 1
Overview
Includes letters to Fisher Scientific Company and Doris Bry.
Dates:
1961
Correspondence, 1962
File — Box: 1, Folder: 15
Identifier: Series 1
Overview
Includes letter to William Dobbin.
Dates:
1962
Correspondence, 1964
File — Box: 1, Folder: 17
Identifier: Series 1
Overview
Includes letter from Doris Bry.
Dates:
1964
Correspondence, 1965
File — Box: 1, Folder: 18
Identifier: Series 1
Scope and Contents Note
From the Collection:
A well-respected art conservator, Caroline Keck served as Georgia O'Keeffe's personal art conservator for almost forty years. The collection relates to the professional relationship between Georgia O'Keeffe and Caroline Keck, and more specifically to the conservation treatments of O'Keeffe's paintings owned by O'Keeffe, and in some cases, other institutions or private individuals. The correspondence dates from 1946 to 1981 and is primarily between Keck and O'Keeffe. O'Keeffe...
Dates:
1965
Correspondence, 1966
File — Box: 1, Folder: 19
Identifier: Series 1
Overview
Includes letters from and to Betty B. Devine at the Amon Carter Museum.
Dates:
1966
Correspondence, 1967
File — Box: 1, Folder: 20
Identifier: Series 1
Scope and Contents Note
From the Collection:
A well-respected art conservator, Caroline Keck served as Georgia O'Keeffe's personal art conservator for almost forty years. The collection relates to the professional relationship between Georgia O'Keeffe and Caroline Keck, and more specifically to the conservation treatments of O'Keeffe's paintings owned by O'Keeffe, and in some cases, other institutions or private individuals. The correspondence dates from 1946 to 1981 and is primarily between Keck and O'Keeffe. O'Keeffe...
Dates:
1967