Photographs
Subject
Subject Source: Art & Architecture Thesaurus
Scope Note: Refers to still images produced from radiation-sensitive materials (sensitive to light, electron beams, or nuclear radiation), generally by means of the chemical action of light on a sensitive film, paper, glass, or metal. Photographs may be positive or negative, opaque or transparent. The concept does not include reproductive prints of documents and technical drawings, for which descriptors found under "
Found in 1941 Collections and/or Records:
The Tent, The Black Place, 1944
Item — Box 17: Series 2
Identifier: RC.2001.2.104e
Scope and Contents Note
From the Collection:
In 2001, the Georgia O'Keeffe Museum received, as a bequest from the Estate of Maria Chabot, hundreds of letters she received from Georgia O'Keeffe and Alfred Stieglitz between 1941 and O'Keeffe's death in 1986. Most of the letters date from the 1940s and describe the experiences Chabot and O'Keeffe shared during the years Chabot lived with O'Keeffe at the artist's Ghost Ranch house (1941-1944) and oversaw the renovation of the ruined adobe hacienda that O'Keeffe purchased in 1945 in the...
Dates:
1944
The Tent, The Black Place, 1944
Item — Box 17: Series 2
Identifier: RC.2001.2.104f
Scope and Contents Note
From the Collection:
In 2001, the Georgia O'Keeffe Museum received, as a bequest from the Estate of Maria Chabot, hundreds of letters she received from Georgia O'Keeffe and Alfred Stieglitz between 1941 and O'Keeffe's death in 1986. Most of the letters date from the 1940s and describe the experiences Chabot and O'Keeffe shared during the years Chabot lived with O'Keeffe at the artist's Ghost Ranch house (1941-1944) and oversaw the renovation of the ruined adobe hacienda that O'Keeffe purchased in 1945 in the...
Dates:
1944
The Tent, The Black Place, 1944
Item — Box 17: Series 2
Identifier: RC.2001.2.104g
Scope and Contents Note
From the Collection:
In 2001, the Georgia O'Keeffe Museum received, as a bequest from the Estate of Maria Chabot, hundreds of letters she received from Georgia O'Keeffe and Alfred Stieglitz between 1941 and O'Keeffe's death in 1986. Most of the letters date from the 1940s and describe the experiences Chabot and O'Keeffe shared during the years Chabot lived with O'Keeffe at the artist's Ghost Ranch house (1941-1944) and oversaw the renovation of the ruined adobe hacienda that O'Keeffe purchased in 1945 in the...
Dates:
1944
Three Men in Crop Field, undated
Item — Box 20: Series 2
Identifier: RC.2001.2.203a
Scope and Contents Note
From the Collection:
In 2001, the Georgia O'Keeffe Museum received, as a bequest from the Estate of Maria Chabot, hundreds of letters she received from Georgia O'Keeffe and Alfred Stieglitz between 1941 and O'Keeffe's death in 1986. Most of the letters date from the 1940s and describe the experiences Chabot and O'Keeffe shared during the years Chabot lived with O'Keeffe at the artist's Ghost Ranch house (1941-1944) and oversaw the renovation of the ruined adobe hacienda that O'Keeffe purchased in 1945 in the...
Dates:
undated
To get 2,700 Aspen, Spruce and Fir for Ceilings, 1947
Item — Box 16: Series 2
Identifier: RC.2001.2.54a
Scope and Contents Note
From the Collection:
In 2001, the Georgia O'Keeffe Museum received, as a bequest from the Estate of Maria Chabot, hundreds of letters she received from Georgia O'Keeffe and Alfred Stieglitz between 1941 and O'Keeffe's death in 1986. Most of the letters date from the 1940s and describe the experiences Chabot and O'Keeffe shared during the years Chabot lived with O'Keeffe at the artist's Ghost Ranch house (1941-1944) and oversaw the renovation of the ruined adobe hacienda that O'Keeffe purchased in 1945 in the...
Dates:
1947
To get 2,700 Aspen, Spruce and Fir for Ceilings, 1947
Item — Box 16: Series 2
Identifier: RC.2001.2.54b
Scope and Contents Note
From the Collection:
In 2001, the Georgia O'Keeffe Museum received, as a bequest from the Estate of Maria Chabot, hundreds of letters she received from Georgia O'Keeffe and Alfred Stieglitz between 1941 and O'Keeffe's death in 1986. Most of the letters date from the 1940s and describe the experiences Chabot and O'Keeffe shared during the years Chabot lived with O'Keeffe at the artist's Ghost Ranch house (1941-1944) and oversaw the renovation of the ruined adobe hacienda that O'Keeffe purchased in 1945 in the...
Dates:
1947
To get 2,700 Aspen, Spruce and Fir for Ceilings, 1947
Item — Box 16: Series 2
Identifier: RC.2001.2.54c
Scope and Contents Note
From the Collection:
In 2001, the Georgia O'Keeffe Museum received, as a bequest from the Estate of Maria Chabot, hundreds of letters she received from Georgia O'Keeffe and Alfred Stieglitz between 1941 and O'Keeffe's death in 1986. Most of the letters date from the 1940s and describe the experiences Chabot and O'Keeffe shared during the years Chabot lived with O'Keeffe at the artist's Ghost Ranch house (1941-1944) and oversaw the renovation of the ruined adobe hacienda that O'Keeffe purchased in 1945 in the...
Dates:
1947
To get 2,700 Aspen, Spruce and Fir for Ceilings, 1947
Item — Box 16: Series 2
Identifier: RC.2001.2.54d
Scope and Contents Note
From the Collection:
In 2001, the Georgia O'Keeffe Museum received, as a bequest from the Estate of Maria Chabot, hundreds of letters she received from Georgia O'Keeffe and Alfred Stieglitz between 1941 and O'Keeffe's death in 1986. Most of the letters date from the 1940s and describe the experiences Chabot and O'Keeffe shared during the years Chabot lived with O'Keeffe at the artist's Ghost Ranch house (1941-1944) and oversaw the renovation of the ruined adobe hacienda that O'Keeffe purchased in 1945 in the...
Dates:
1947
Todd Webb, 1956-07
Item — Box 11
Identifier: 2006.6.1114
Overview
Portrait of Todd Webb looking at the camera, smiling. He is seated in the courtyard of the Abiquiu house, wearing a light colored shirt with a light meter cord around his neck. The sleeves of his shirt are rolled up and in the two breast pockets are a pen and a small case, most likely a light meter case.
Dates:
1956-07
Todd Webb, 1956-07
Item — Box 11
Identifier: 2006.6.1115
Overview
Portrait of Todd Webb looking at the camera with a smile. He is standing in the courtyard of the Abiquiu house leaning against a wooden post, wearing a light colored shirt, a watch, and a light meter cord around his neck, his hand and arm are on his chest. The sleeves of his shirt are rolled up and in the two breast pockets are a pen and a small case, most likely a light meter case.
Dates:
1956-07