Box 11

Profile portrait of Todd Webb looking towards the camera in a light colored jacket and dark shirt, standing in the entrance way of Abiquiu house. Visible behind him is the wooden gate door with light shining through the slats.

Profile portrait of Todd Webb looking towards the camera in a light colored jacket and dark shirt, standing in the entrance way of Abiquiu house. Visible behind him is the wooden gate door with light shining through the slats.

Portrait of Todd Webb dressed in a black polo shirt and light colored slacks, sitting at the banco in the living room of the Abiquiu house. He has elbows on knees, holding a piece of bark and looking in the direction of the camera.

Portrait of Todd Webb dressed in a black polo shirt and light colored slacks, sitting at the banco in the living room of the Abiquiu house. He has elbows on knees and is looking off to the left.

Portrait of Todd Webb at the Abiquiu house standing in front of the elk antlers, dressed in a light colored suit coat and a black polo shirt, neutral gaze, facing the camera.

Profile portrait of Todd Webb at the Abiquiu house standing to the side of the elk antlers, dressed in a light colored suit coat and a black polo shirt, neutral gaze, face turned toward the camera.

Portrait of Todd Webb at the Abiquiu house standing to the side of the elk antlers, dressed in a light colored suit coat and a black polo shirt, neutral gaze, face turned toward the camera.

Bleached cow skull hanging on the portal at Ghost Ranch, adobe wall and vigas visible. Handwritten in black ink on verso by Georgia O'Keeffe: "Another present this//is.//It is beside the//Studio door//G//Pretty isn't it!"

Image of a ladder back chair and a horse skull hanging on the adobe wall under the portal. Handwritten by Georgia O'Keeffe in black ink on verso: "This is at the end of//the Portal—beyond//the ladder. That chair//I paid ninety eight//cents for 22 years//ago. One thing I have//that is worth its price.//It isn't an antique. It is//from Montgomery Ward.//G"

A photograph of two O'Keeffe watercolors and small sculpture, Abstraction, at Stieglitz's 291 Gallery; grey cloth walls and black skirt under the gallery shelf.

An installation view of various Georgia O'Keeffe paintings and works on paper as visible in two gallery rooms. Entrance into adjoining gallery is through an open doorway with velvet curtains.

An installation of Georgia O'Keeffe's paintings of abstractions and flowers, including several versions of calla lilies, at the Anderson Galleries.

Interior view of five O'Keeffe paintings on a white gallery wall. Subjects include a New York skyscraper, an abstract composition, Black Cross, a flower and a tree.