Photographs
Subject Source: Art & Architecture Thesaurus
Scope Note: Refers to still images produced from radiation-sensitive materials (sensitive to light, electron beams, or nuclear radiation), generally by means of the chemical action of light on a sensitive film, paper, glass, or metal. Photographs may be positive or negative, opaque or transparent. The concept does not include reproductive prints of documents and technical drawings, for which descriptors found under "Found in 1943 Collections and/or Records:
Georgia O'Keeffe exhibition, 291 Gallery, 1917
Installation view of three O'Keeffe works on paper mounted on a grey fabric wall. Works from viewer left to right: an abstract composition; No. 8 Special, 1916, charcoal; and Train At Night In The Desert, 1916, charcoal.
Georgia O'Keeffe exhibition, 291 Gallery, 1917
Installation view of five of O'Keeffe's works on paper mounted on a grey fabric wall. Works from viewer left to right: Train At Night In The Desert, 1916, watercolor and graphite; No. 15 Special, 1916-1917, graphite; double hung watercolors: Sunrise And Little Clouds No. 11, 1916, and Morning Sky With Houses, 1916; and Blue, Green And Red, 1916, watercolor.
Georgia O'Keeffe exhibition, 291 Gallery, 1917
Installation view of three O'Keeffe works on paper mounted on a grey fabric wall. Works from viewer left to right: an abstract composition; No. 8 Special, 1916, charcoal; and Train At Night In The Desert, 1916, charcoal.
Georgia O'Keeffe exhibition, 291 Gallery, 1917
Installation corner view of two O'Keeffe works mounted on a grey fabric wall. Works from viewer left to right: Blue 1, 1916, watercolor on paper; and Inside The Tent While At U. Of Virginia, 1916, oil on canvas. Includes a small cutout of a photograph of an O'Keeffe painting.
Georgia O'Keeffe exhibition, 291 Gallery, 1917
A copy print of two O'Keeffe watercolors and small sculpture, Abstraction, at Stieglitz's 291 Gallery; grey cloth walls and black skirt under the gallery shelf.
Georgia O'Keeffe exhibition, 291 Gallery, 1917
A photograph of two O'Keeffe watercolors and small sculpture, Abstraction, at Stieglitz's 291 Gallery; grey cloth walls and black skirt under the gallery shelf.
Georgia O'Keeffe exhibition, 291 Gallery, 1917
A photograph of one O'Keeffe watercolors at Stieglitz's 291 Gallery; grey cloth walls and black skirt under the gallery shelf. Originally housed in a folder labeled in O'Keeffe's handwriting: 2nd Show 291.
Georgia O'Keeffe exhibition, An American Place, circa 1934
Installation view of six paintings on exhibition.
Georgia O'Keeffe exhibition, Anderson Galleries, between 1923 and 1929
An installation of Georgia O'Keeffe's paintings of abstractions and flowers, including several versions of calla lilies, at the Anderson Galleries.
Georgia O'Keeffe exhibition, Museum of Modern Art, 1946
Installation view of O'Keeffe paintings on exhibition at the Museum of Modern Art.
Georgia O'Keeffe exhibition, Museum of Modern Art, 1946
Installation view of four O'Keeffe paintings on exhibition at the Museum of Modern Art.
Georgia O'Keeffe exhibition, Museum of Modern Art, 1946
Installation view of three O'Keeffe paintings on exhibition at the Museum of Modern Art.
Georgia O'Keeffe exhibition, Museum of Modern Art, 1946
Installation view of three O'Keeffe paintings on exhibition at the Museum of Modern Art. A bench sits in the foreground and an adjacent room is visible.
Georgia O'Keeffe exhibition, Museum of Modern Art, 1946
Installation view of three O'Keeffe paintings on exhibition at the Museum of Modern Art.
Georgia O'Keeffe exhibition, Museum of Modern Art, 1946
Installation view of four O'Keeffe paintings on exhibition at the Museum of Modern Art.
Georgia O'Keeffe exhibition, Museum of Modern Art, 1946
Installation view of three O'Keeffe paintings on exhibition at the Museum of Modern Art.
Georgia O'Keeffe exhibition, Museum of Modern Art, 1946
Installation view of four O'Keeffe paintings on exhibition at the Museum of Modern Art. Three are in one room, and one is visible in an adjacent room.