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O'Keeffe at the Shirley House in Canyon, Texas. O'Keeffe is standing on the shingles of the roof with a casement window open behind her; hair pulled back into a bun, wearing long ankle-length black dress with white collar underneath.

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Full length portrait of O'Keeffe standing in the dirt in a barren landscape, leaning forward (to viewer right) with her hands behind her back. She is dressed in a long dark ankle length coat with a white shirt or dress underneath and wears a dark loose hat which conceals her head.

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Portrait of O'Keeffe dressed in a robe, with an outstretched arm, placing rocks along a ledge in her bedroom; silver Navajo necklace hanging on wall, Japanese paper lamp shade suspended from ceiling, and light bulb clipped to the headboard of O'Keeffe's bed.

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Portrait of O'Keeffe standing in profile in the landscape, in front of an easel with a blank canvas and a rams skull with horns; O'Keeffe is wearing a blue jean jacket with her hair pulled back in a bun.

Overview Portrait of O'Keeffe sitting on a banco in the patio of her Abiquiu house surrounded by a collection of rocks; she is wearing a black suit coat, black pants, a white shirt and a black scarf which covers her hair; she sits with body turned slightly to viewer right, her left leg is crossed over her right knee and her arms are crossed over her lap, her face in partial profile, a shaft of diagonal light illuminates the midsection of her body and the collection of rocks around her feet in the...

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Close up portrait of two white jimson weed flowers; some of the petal edges are bent forward; partial shadow over pistol and stamen, flower surrounded by dark leaves.

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Close-up of two sheared vertical rock face formations creating a V-shaped cleavage; rock formations in dark shadow with smaller conical rock formation in the distance.

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Close-up of two sheared vertical rock face formations creating a V-shaped cleavage; viewer right rock formation in dark shadow, two small shadows on rock face to the left, smaller conical rock formation in the distance.

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Image of a sugar cane field along a roadside with sky and huge billowing clouds above.

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Portrait of Todd Webb smiling and holding a cigarette while standing in the doorway of the Salita with one hand leaning against the wall, with one knee bent and wearing a light colored shirt with a light meter cord around his neck. The sleeves of his shirt are rolled up and in the two breast pockets are a pen and a small case, most likely a light meter case. Photograph likely printed by Todd Webb.

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A photograph of one O'Keeffe watercolors at Stieglitz's 291 Gallery; grey cloth walls and black skirt under the gallery shelf. Originally housed in a folder labeled in O'Keeffe's handwriting: 2nd Show 291.

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An installation view of various Georgia O'Keeffe paintings at the Anderson Galleries.

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Closeup of a section of the rockface formations along the river in Glen Canyon. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."

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Image of rockface formations. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."

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Image of the rockface and foliage along the Colorado River. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."

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Tapestry Wall, Glen Canyon, closeup section of the rockface with dark vertical streaks. Todd Webb printed most of O'Keeffe's contact sheets and photographic prints. This photograph is from the Glen Canyon album that Todd Webb gave to Georgia O'Keeffe "In memory of the great August 1961 trip down the Colorado River."