Abstract view of Abiquiu house courtyard. Composition is a series of triangles, squares, and rectangles: row of pavement stones on compacted dirt leading to a doorway in black shadow with a view to the other side, triangular shadow cutting across doorway, chamisa in lower left corner.

Abstract view of Abiquiu house courtyard. Composition is a series of triangles, squares, and rectangles: row of pavement stones on compacted dirt leading to a doorway in black shadow with a view to the other side, triangular shadow cutting across doorway, chamisa in lower left corner.

Abstract view of Abiquiu house courtyard. Composition is a series of triangles, squares, and rectangles: row of pavement stones on compacted dirt leading to a doorway in black shadow with a view to the other side, triangular shadow cutting across doorway.

Abstract graphic composition of the salita door at O'Keeffe's Abiquiu house. O'Keeffe frames the photograph as a flat adobe textured wall with the doorway as a black vertical rectangle; a large diagonal shadow cuts across the wall from viewer upper right to viewer left, a large chamisa bush is in the lower left corner.

View of the courtyard at the Abiquiu house with chamisa; visible are the cracked adobe walls, lintels, vigas, and a portion of the hallway in shadow. Visible on the viewers left is a reflection in window of Georgia O'Keeffe taking the photograph.

View of the cracked adobe exterior of O'Keeffe's Abiquiu house as seen from the courtyard; visible are a grouping of chamisa, double doors, a section of the wellhead, and pavement tiles in shadow in the foreground.

View of the adobe exterior of O'Keeffe's Abiquiu house as seen from the courtyard; chamisa and paving tiles lead up to the shadowed hallway with the Zaguan wooden slatted door and elk antlers mounted on the wall.

Flat abstract view of the black Salita door against the textured adobe wall at the Abiquiu house; triangular shadow cuts across the picture plane, chamisa bush in lower left corner.