Box 18
Contains 38 Results:
North Patio Corridor, 1956 or 1957
Abstract view of Abiquiu house courtyard. Composition is a series of triangles, squares, and rectangles: row of pavement stones on compacted dirt leading to a doorway in black shadow with a view to the other side, triangular shadow cutting across doorway, chamisa in lower left corner.
North Patio Corridor, 1956 or 1957
Abstract view of Abiquiu house courtyard. Composition is a series of triangles, squares, and rectangles: row of pavement stones on compacted dirt leading to a doorway in black shadow with a view to the other side, triangular shadow cutting across doorway.
Patio and Zaguan, 1956 or 1957
View of the courtyard at the Abiquiu house with chamisa; visible are the cracked adobe walls, lintels, vigas, and a portion of the hallway in shadow. Visible on the viewers left is a reflection in window of Georgia O'Keeffe taking the photograph.
Dining Room Door in Patio, 1956 or 1957
View of the cracked adobe exterior of O'Keeffe's Abiquiu house as seen from the courtyard; visible are a grouping of chamisa, double doors, a section of the wellhead, and pavement tiles in shadow in the foreground.
North Patio Corridor, 1956 or 1957
Vertical composition of O'Keeffe's patio looking through an open doorway; cracked adobe wall, doorway with steps and paving stones, large graphic triangular shadow cuts across the picture plane from the upper right corner to middle bottom of the photograph; large chamisa to the left in foreground, a smaller chamisa can be seen at the other end of the doorway.
Studio Door, 1956-07
O'Keeffe frames her Abiquiu house as a flat plane of textured adobe; the darkened studio door is to the left, small native shrubs and a pile of bricks are in the foreground.
Chrysler Building from the Window of the Waldorf Astoria, New York, circa 1960
Partial view of the New York City skyline from an open window with a transparent curtain blowing in the upper left corner of the photograph. Visible is the Chrysler Building and numerous other highrise buildings surrounding it.
Salita Door, 1956 or 1957
Abstract graphic composition of the salita door at O'Keeffe's Abiquiu house. O'Keeffe frames the photograph as a flat adobe textured wall with the doorway as a black vertical rectangle; a large diagonal shadow cuts across the wall from viewer upper right to viewer left, a large chamisa bush is in the lower left corner.