Photographs
Subject Source: Art & Architecture Thesaurus
Scope Note: Refers to still images produced from radiation-sensitive materials (sensitive to light, electron beams, or nuclear radiation), generally by means of the chemical action of light on a sensitive film, paper, glass, or metal. Photographs may be positive or negative, opaque or transparent. The concept does not include reproductive prints of documents and technical drawings, for which descriptors found under "Found in 1943 Collections and/or Records:
Henwar Rodakiewicz in front of stop sign, before August 1935
Highlights of the Permanent Collection, Whitney Museum of American Art, after 1981
Historic American Buildings Survey (HABS) Records for the Georgia O'Keeffe Home and Studio
Reports, architectural drawings, and photographs relating to the 1996 Historic American Buildings Survey of Georgia O'Keeffe's Abiquiu house.
History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art, 1944
Installation shot of an interior gallery view of seven Stieglitz's photographs at the Philadelphia Museum of Art; cloth covered wall, title panel "Photographs by Stieglitz" hangs above the photographs, two vents on baseboards.
History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art, 1944
History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art, 1944
View of installation at the Philadelphia Museum of Art. Caricatures by Marius de Zayas on the wall under title, "The Bunch at 291."
History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art, 1944
View of installation at the Philadelphia Museum of Art. Photographs on pillar under title, "Stieglitz Looks at the Artists." Artwork on walls behind pillar.
History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art, 1944
View of installation at the Philadelphia Museum of Art. Eight artworks on the wall, with additional art visible in adjacent galleries.
History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art, 1944
View of installation at the Philadelphia Museum of Art. Artwork lines walls and two benches sit in the center of the gallery.
History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art, 1944
View of installation at the Philadelphia Museum of Art. Artwork on walls and in casework.
History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art, 1944
View of installation at the Philadelphia Museum of Art. Artwork hangs on walls and sits on pedestals.
History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art, 1944
View of installation at the Philadelphia Museum of Art. Artwork hangs on walls and benches sit in the center of the gallery.
History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art, 1944
View of installation at the Philadelphia Museum of Art. Artwork on walls and bust on pedestal in center of gallery.
History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art, 1944
View of installation at the Philadelphia Museum of Art. Art on walls, sculptures on pedestals.
History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art, 1944
View of installation at the Philadelphia Museum of Art. Art on walls and visible in adjacent gallery.
History of an American: Alfred Stieglitz '291' and After: Selections from the Stieglitz Collection, Philadelphia Museum of Art, 1944
View of installation at the Philadelphia Museum of Art.
Hojancha (Seed and First Leaf) by Mym Tuma, circa 1970
Photograph of Hojancha (Seed and First Leaf) by Mym Tuma. Mym Tuma, also known as Marilynn Thuma, corresponded with Georgia O'Keeffe from 1964 to 1973. This photograph, and fourteen others, were probably enclosed in a letter from Marilynn Thuma dated September 4, 1970.
Hojancha (Seed and First Leaf) by Mym Tuma, circa 1970
Photograph of Hojancha (Seed and First Leaf) by Mym Tuma. Mym Tuma, also known as Marilynn Thuma, corresponded with Georgia O'Keeffe from 1964 to 1973. This photograph, and fourteen others, were probably enclosed in a letter from Marilynn Thuma dated September 4, 1970.