Photographs
Subject Source: Art & Architecture Thesaurus
Scope Note: Refers to still images produced from radiation-sensitive materials (sensitive to light, electron beams, or nuclear radiation), generally by means of the chemical action of light on a sensitive film, paper, glass, or metal. Photographs may be positive or negative, opaque or transparent. The concept does not include reproductive prints of documents and technical drawings, for which descriptors found under "Found in 1943 Collections and/or Records:
Georgia O'Keeffe Foundation board meetings, rock formations, circa 1991
The Georgia O'Keeffe Foundation Copy Prints
This collection consists solely of photographic copy prints of The Georgia O'Keeffe Foundation's Photograph Collection prior to the transfer of the collection from The Foundation to the Museum. Over 1000 copy prints originally created by a variety of different known and unknown photographers document O'Keeffe's life and work.
Georgia O'Keeffe Foundation Photographs
This collection includes photographic materials related to Georgia O'Keeffe, her properties, travel, and artwork dating from 1894 to circa 1992. In addition to photographic prints and film, there are also original enclosures such as envelopes, boxes, and albums.
Georgia O'Keeffe, Frances O'Brien, and O'Keeffe's car at Ghost Ranch road, probably 1949
Georgia O'Keeffe, Frances O'Brien, and Susan Bloom in Abiquiu house, probably 1958
Georgia O'Keeffe, Frances O'Brien, and Susan Bloom in Abiquiu house, probably 1958
Georgia O'Keeffe, Fred and Ella Varnum, and Bly with Judith, Lake George, 1920
Georgia O'Keeffe, Fred and Ella Varnum, and Bly with sculpture, Judith. Probably photographed during the move from Oaklawn, house on the shore of Lake George, to a farmhouse on the same property. The sculpture, Judith, is by Moses Ezekiel.
Georgia O'Keeffe, Ghost Ranch, 1944
Photograph was enclosed in a letter from Maria Chabot to Alfred Stieglitz dated 1944-09-21. Handwritten on verso: G. after a hike up an arroyo
Georgia O'Keeffe, Ghost Ranch House, 1942
Georgia O'Keeffe, Ghost Ranch House Exterior, 1944
Photograph was enclosed in a letter from Maria Chabot to Alfred Stieglitz dated 1944-09-21. Handwritten on verso: G. before her studio window
Georgia O'Keeffe, Ghost Ranch House Exterior, 1944
Georgia O'Keeffe, Ghost Ranch House Patio, 1944
Enclosed in a letter from Maria Chabot to Alfred Stieglitz dated 1944-09-21.
Georgia O'Keeffe, Ghost Ranch House Patio, 1944
Photograph was enclosed in a letter from Maria Chabot to Alfred Stieglitz dated 1944-09-21. Handwritten on verso: G. in the patio
Georgia O'Keeffe, Ghost Ranch House Patio, 1944
Georgia O'Keeffe, Ghost Ranch House Patio, 1944
Georgia O'Keeffe, Ghost Ranch House Yard, circa 1944
Georgia O'Keeffe, Ghost Ranch House Yard, circa 1944
Georgia O'Keeffe, Ghost Ranch House Yard, circa 1944
Georgia O'Keeffe, Ghost Ranch House Yard, circa 1944
Georgia O'Keeffe, Ghost Ranch, New Mexico, 1968
Portrait of O'Keeffe standing in profile in the landscape, in front of an easel with a blank canvas and a rams skull with horns; O'Keeffe is wearing a blue jean jacket with her hair pulled back in a bun.
Georgia O'Keeffe, Ghost Ranch Patio, 1944
Enclosed in a letter from Maria Chabot to Alfred Stieglitz dated 1944-09-21.
Georgia O'Keeffe, Ghost Ranch Patio, 1944
Photograph was enclosed in a letter from Maria Chabot to Alfred Stieglitz dated 1944-09-21. Handwritten on verso: G. in the patio
Georgia O'Keeffe, Ghost Ranch Patio, 1942
Georgia O'Keeffe, Herk Van Tongeren, and Ron Young with Abstraction, probably 1980
Georgia O'Keeffe, Herk Van Tongeren, and Ron Young with O'Keeffe's sculpture, Abstraction, at the Johnson Atelier. Photograph was cut out from a contact sheet.