Photographs
Subject Source: Art & Architecture Thesaurus
Scope Note: Refers to still images produced from radiation-sensitive materials (sensitive to light, electron beams, or nuclear radiation), generally by means of the chemical action of light on a sensitive film, paper, glass, or metal. Photographs may be positive or negative, opaque or transparent. The concept does not include reproductive prints of documents and technical drawings, for which descriptors found under "Found in 1962 Collections and/or Records:
Georgia O'Keeffe in Texas, between 1912 and 1918
Georgia O'Keeffe in Texas, between 1916 and 1918
Full length portrait of O'Keeffe standing in the dirt in a barren landscape, leaning forward (to viewer right) with her hands behind her back. She is dressed in a long dark ankle length coat with a white shirt or dress underneath and wears a dark loose hat which conceals her head.
Georgia O'Keeffe in Texas, between 1916 and 1918
Georgia O'Keeffe in Texas, between 1912 and 1918
Georgia O'Keeffe in Texas, between 1912 and 1918
Georgia O'Keeffe in the Garden, circa 1944
Georgia O'Keeffe in the Garden, circa 1944
Georgia O'Keeffe in the Garden, circa 1944
Georgia O'Keeffe, Juan Hamilton, Olga and Joseph Hirshhorn, and Ira Lowe at Hirshhorn Museum, 1977
Georgia O'Keeffe, Juan Hamilton, Olga and Joseph Hirshhorn, and Ira Lowe at Hirshhorn Museum, 1977
Georgia O'Keeffe, Maria Chabot, Max Martinez, Ghost Ranch House Patio, 1944
Georgia O'Keeffe, Maria Chabot, Max Martinez, Ghost Ranch House Patio, 1944
Georgia O'Keeffe, Maria Chabot, Max Martinez, Ghost Ranch House Patio, 1944
Enclosed in a letter from Maria Chabot to Alfred Stieglitz dated 1944-09-21.
Georgia O'Keeffe, Maria Chabot, Max Martinez, Ghost Ranch House Patio, 1944
Photograph was enclosed in a letter from Maria Chabot to Alfred Stieglitz dated 1944-09-21. Handwritten on verso: 3 of us
Georgia O'Keeffe, Max Martinez, Bernie Martinez, Ghost Ranch House Patio, 1944
Georgia O'Keeffe, Max Martinez, Bernie Martinez, Ghost Ranch House Patio, 1944
Photograph was enclosed in a letter from Maria Chabot to Alfred Stieglitz dated 1944-09-21. Handwritten on verso: G. and Bernie and Maxie