Abiquiu
Found in 862 Collections and/or Records:
Roofless Room, 1959 or 1960
Adobe wall with graphic abstract shadows; the overhead latillas and pine vigas from the Roofless Room have cast horizontal and vertical shadows on the walls.
Roofless Room, 1959 or 1960
Roofless Room at the Abiquiu house with latillas (juniper or alder branches) used for the ceiling; shadows of the crisscrossing ceiling branches on the floor and wall.
Roofless Room, 1959 or 1960
Roofless Room at the Abiquiu house with latillas (juniper or alder branches) used for the ceiling; shadows of the crisscrossing ceiling branches on the floor and wall.
Roofless Room, 1959 or 1960
Adobe wall with abstract shadows; the overhead latillas and pine vigas from the Roofless Room cast horizontal and vertical shadows on the walls.
Roofless Room, 1959 or 1960
Roofless Room at the Abiquiu house with latillas (juniper or alder branches) used for the ceiling; the door to the house is open, shadows of the crisscrossing ceiling branches on the floor and wall.
Salita Door, 1956 or 1957
Abstract graphic composition of the salita door at O'Keeffe's Abiquiu house. O'Keeffe frames the photograph as a flat adobe textured wall with the doorway as a black vertical rectangle; a large diagonal shadow cuts across the wall from viewer upper right to viewer left, a large chamisa bush is in the lower left corner.
Salita Door, 1956 or 1957
Abstract graphic composition of the salita door at O'Keeffe's Abiquiu house. O'Keeffe frames the photograph as a flat adobe textured wall with the doorway as a black vertical rectangle; a large diagonal shadow cuts across the wall from viewer upper right to viewer left, a large chamisa bush is in the lower left corner.
Salita Door, 1956 or 1957
Abstract graphic composition of the salita door at O'Keeffe's Abiquiu house. O'Keeffe frames the photograph as a flat adobe textured wall with the doorway as a black vertical rectangle; a large diagonal shadow cuts across the wall from viewer upper right to viewer left, a large chamisa bush is in the lower left corner.
Salita Door, 1956 or 1957
Flat abstract view of the black Salita door against the textured adobe wall at the Abiquiu house; triangular shadow cuts across the picture plane, chamisa bush in lower left corner.
Salita Door, Patio, 1956 or 1957, 1958-12 or 1959-01
Sent to Charles Wickham Moore as 1959 New Year’s greeting. Handwritten by GOK in black ink on verso: "Just to remind you of//Abiquiu and greet you//for Xmas and 59//Sorry you do not come.//I can't promise anything as//funny as Alans Story but//it is good here as you know//G."