Homes and haunts
Subject Source: Library of Congress Subject Headings
Scope Note: Use as a topical subdivision under names of individual persons, families, and performing groups, classes of persons, and ethnic groups for works on the homes of individual persons, families, or members of the group from an architectural or historical point of view. Also use for works about the favorite places of individual persons or group members or places they habitually frequent or with which they are associated. For works on residential buildings for the group from the standpoint of architecture, construction, ethnology, etc., use the subdivision [Dwellings.] For works on social or economic aspects of the provision of housing for the group, use the subdivision [Housing.]Found in 258 Collections and/or Records:
Ladder against Studio Wall with Black Chow (Bo-Bo), 1959 or 1960
A textured adobe wall with a kiva log ladder leaning against O'Keeffe's studio wall casting a shadow. One of O'Keeffe's Chows, Bo II (Bo-Bo), is at the base of the ladder.
Ladder against Studio Wall with Black Chow (Bo-Bo), 1959 or 1960
A textured adobe wall with a kiva log ladder leaning against O'Keeffe's studio wall casting a shadow, small patches of snow in foreground. One of O'Keeffe's Chows, Bo II (Bo-Bo), is at the base of the ladder.
Ladder against Studio Wall with White Bowl, 1959 or 1960
A textured adobe wall with a kiva log ladder leaning against O'Keeffe's studio wall and a white bowl casting a shadow; a patch of snow is in the lower right foreground.
Ladder against Wall, 1961
Geometric section of the black door and textured adobe wall with a kiva log ladder leaning against O'Keeffe's studio wall, casting a shadow; sky and clouds visible.
Mrs. Lestz, Mrs. Lestz's aunt, and Georgia O'Keeffe at Abiquiu House, 1972
North Patio Corridor, 1956 or 1957
Vertical composition of O'Keeffe's patio looking through an open doorway; cracked adobe wall, doorway with steps and paving stones, large graphic triangular shadow cuts across the picture plane from the upper right corner to middle bottom of the photograph; large chamisa to the left in foreground, a smaller chamisa can be seen at the other end of the doorway.
North Patio Corridor, 1956 or 1957
Abstract view of Abiquiu house courtyard. Composition is a series of triangles, squares, and rectangles: row of pavement stones on compacted dirt leading to a doorway in black shadow with a view to the other side, triangular shadow cutting across doorway, chamisa in lower left corner.
North Patio Corridor, 1956 or 1957
Abstract view of Abiquiu house courtyard. Composition is a series of triangles, squares, and rectangles: row of pavement stones on compacted dirt leading to a doorway in black shadow with a view to the other side, triangular shadow cutting across doorway, chamisa in lower left corner.
North Patio Corridor, 1956 or 1957
Abstract view of Abiquiu house courtyard. Composition is a series of triangles, squares, and rectangles: row of pavement stones on compacted dirt leading to a doorway in black shadow with a view to the other side, triangular shadow cutting across doorway.
O'Keeffe family house and property, Sun Prairie, Wisconsin, postcard, undated
Sun Prairie house and property with unknown individuals standing or sitting in front of house.
O'Keeffe family house and property, Sun Prairie, Wisconsin, postcard, undated
Aerial view of several structures in Sun Prairie.
O'Keeffe family house, Williamsburg, Virginia, after 1902
O'Keeffe family's house in Williamsburg, VA. Includes envelope with following text: "Virginia envelope #4. 2 b/w photographs of bldgs of University of Virginia and 1 pix of Georgia outdoors at U. Va.", and handwritten in O'Keeffe's hand: "U.Va. Charlottes-ville".
Patio, 1956 or 1957
View of the Abiquiu house courtyard, chamisa, window and doorway, cracked adobe walls, row of pavement stones on the compacted dirt.
Patio, 1956 or 1957
Interior view of the Abiquiu house courtyard, chamisa, window and doorway, cracked adobe walls, row of pavement stones on the compacted dirt.
Patio and Zaguan, 1956 or 1957, 1959
Sent to Charles Wickham Moore in 1959. Handwritten by Georgia O'Keeffe in pencil on verso: "Thanks for the record—It is//lovely—I have another recording//of same but not nearly so good.//We had a fine Xmas eve—//very amusing—rain for Xmas//—snow since—I went to the//ranch this AM—had a fine//walk in the new snow with//the dogs—It was startingly//beautiful—//When will you be//coming? Have written Rolf//but have not heard from her.//Best to you—G."
Patio and Zaguan, 1956 or 1957
View of the courtyard at the Abiquiu house with chamisa; visible are the cracked adobe walls, lintels, vigas, and a portion of the hallway in shadow.
Patio and Zaguan, 1956 or 1957
View of the courtyard at the Abiquiu house with chamisa; visible are the cracked adobe walls, lintels, vigas, and a portion of the hallway in shadow.
Patio and Zaguan, 1956 or 1957
View of the courtyard at the Abiquiu house with chamisa; visible are the cracked adobe walls, lintels, vigas, and a portion of the hallway in shadow with elk antlers and the Zaguan door.
Patio and Zaguan, 1956 or 1957
View of the courtyard at the Abiquiu house with chamisa; visible are the cracked adobe walls, lintels, vigas, and a portion of the hallway in shadow with elk antlers and the Zaguan door.
Patio and Zaguan, 1956 or 1957
View of the courtyard at the Abiquiu house with chamisa; visible are the cracked adobe walls, lintels, vigas, and a portion of the hallway in shadow with elk antlers and the Zaguan door.
Patio and Zaguan, 1956 or 1957
View of the courtyard at the Abiquiu house with chamisa; visible are the cracked adobe walls, lintels, vigas, and a portion of the hallway in shadow with elk antlers and the Zaguan door.
Patio and Zaguan, 1956 or 1957
View of the courtyard at the Abiquiu house with chamisa; visible are the cracked adobe walls, lintels, vigas, and a portion of the hallway in shadow with elk antlers and the Zaguan door.
Patio and Zaguan, 1956 or 1957
View of the courtyard at the Abiquiu house with chamisa; visible are the cracked adobe walls, lintels, vigas, and a portion of the hallway in shadow with elk antlers and the Zaguan door.
Patio and Zaguan, 1956 or 1957
View of the courtyard at the Abiquiu house with chamisa; visible are the cracked adobe walls, lintels, vigas, and a portion of the hallway in shadow with elk antlers and the Zaguan door, adjacent doorway in black shadow in foreground.