Photographs
Subject Source: Art & Architecture Thesaurus
Scope Note: Refers to still images produced from radiation-sensitive materials (sensitive to light, electron beams, or nuclear radiation), generally by means of the chemical action of light on a sensitive film, paper, glass, or metal. Photographs may be positive or negative, opaque or transparent. The concept does not include reproductive prints of documents and technical drawings, for which descriptors found under "Found in 1943 Collections and/or Records:
Betsy Bowen with Abstraction, 1981
Betsy Bowen with two unfinished O'Keeffe sculptures, Abstraction.
Big Sage (Artemisia tridentata), 1957
Desert landscape, closeup of tree with twisted trunks, surrounded by scrub and chamisa.
Big Sage (Artemisia tridentata), 1957
Desert landscape, closeup of tree with twisted trunks, surrounded by broken branches and dirt.
Big Sage (Artemisia tridentata), 1957
Desert landscape, closeup of tree with twisted trunks, surrounded by scrub and chamisa.
Big Sage (Artemisia tridentata), 1957
Desert landscape, closeup of tree with twisted trunks, surrounded by scrub and dirt.
Big Sage (Artemisia tridentata), 1957
Desert landscape, closeup of tree with twisted trunks, surrounded by scrub, chamisa and dirt; view of mountains visible in background.
Big Sage (Artemisia tridentata), 1957
Desert landscape, closeup of tree with twisted trunks, surrounded by scrub and dirt.
Big Sage (Artemisia tridentata), 1957
Desert landscape, closeup of tree with twisted trunks, surrounded by scrub, chamisa and dirt.
Big Sage (Artemisia tridentata), 1957
Desert landscape, closeup of tree with twisted trunks, surrounded by scrub, broken branches and dirt.
Black Place I, Ghost Ranch Patio, 1944
The painting, Black Place I, by Georgia O'Keeffe was photographed sitting upon a chair in the Ghost Ranch patio. The photograph was enclosed in a letter from Georgia O'Keeffe to Alfred Stieglitz dated 1944-07-06.
Black Place III, Ghost Ranch Patio, 1944
The painting, Black Place III, by Georgia O'Keeffe was photographed sitting upon a chair in the Ghost Ranch patio. The photograph was enclosed in a letter from Georgia O'Keeffe to Alfred Stieglitz dated 1944-07-06.
Bo-Bo, before 1968
Photograph of Bo-Bo outside near brush and trees.
Bo-Bo, before 1968
Photograph of Bo-Bo outside.
Bo-Bo, before 1968
Photograph of Bo-Bo walking by "Beware of Dog" sign outside.
Bo-Bo, before 1968
Photograph of Bo-Bo walking by "Beware of Dog" sign outside.
Bo-Bo, before 1968
Photograph of Bo-Bo outside.
Bo-Bo, before 1968
Photograph of Bo-Bo walking by "Beware of Dog" sign outside.
Bo-Bo, before 1968
Photograph of Bo-Bo outside.
Bo-Bo, before 1968
Photograph of Bo-Bo outside.
Bo-Bo, before 1968
Photograph of Bo-Bo outside.
Bo-Bo with glasses, before 1968
Photograph of one of O'Keeffe's Chows, Bo-Bo, lying on ground and wearing glasses.
Bo II (Bo-Bo), 1960 or 1961
Portrait of one of O'Keeffe's Chows, Bo II (Bo-Bo), with a dark coat sitting in the courtyard of her Abiquiu house with head turned towards the viewer's left. Tree stump, door, and bush visible in the background.
Bo II (Bo-Bo), 1960 or 1961
Portrait of one of O'Keeffe's Chows, Bo II (Bo-Bo), with a dark coat sitting in the courtyard of her Abiquiu house with head turned towards the viewer's left. Tree stump, door, and bush visible in the background.
Bo II (Bo-Bo), 1960 or 1961
Portrait of one of O'Keeffe's Chows, Bo II (Bo-Bo), looking up at the camera while lying on the tree stumps in the courtyard of the Abiquiu house. Adobe wall and screen door visible in background.
Bo II (Bo-Bo), 1960 or 1961
Portrait of one of O'Keeffe's Chows, Bo II (Bo-Bo), looking up at the camera while lying on the tree stumps in the courtyard of the Abiquiu house. Adobe wall and screen door visible in background.