Photographs
Subject Source: Art & Architecture Thesaurus
Scope Note: Refers to still images produced from radiation-sensitive materials (sensitive to light, electron beams, or nuclear radiation), generally by means of the chemical action of light on a sensitive film, paper, glass, or metal. Photographs may be positive or negative, opaque or transparent. The concept does not include reproductive prints of documents and technical drawings, for which descriptors found under "Found in 1943 Collections and/or Records:
Georgia O'Keeffe Climbing Ladder, Ghost Ranch House Patio, 1944
Photograph was enclosed in a letter from Maria Chabot to Alfred Stieglitz dated 1944-09-21. Handwritten on verso: G. going up to the roof
Georgia O'Keeffe Climbing Ladder, Ghost Ranch House Patio, 1944
Enclosed in a letter from Maria Chabot to Alfred Stieglitz dated 1944-09-21.
Georgia O'Keeffe Climbing Ladder, Ghost Ranch House Patio, 1944
Georgia O'Keeffe Climbing Ladder, Ghost Ranch House Patio, 1944
Georgia O'Keeffe doing paperwork at Abiquiu, probably 1949
Georgia O'Keeffe exhibition, undated
Installation view of two paintings on exhibition.
Georgia O'Keeffe exhibition, undated
Installation view of two paintings on exhibition.
Georgia O'Keeffe exhibition, 291 Gallery, 1917
Installation view of five of O'Keeffe's works on paper mounted on a grey fabric wall. Works from viewer left to right: Train At Night In The Desert, 1916, watercolor and graphite; No. 15 Special, 1916-1917, graphite; double hung watercolors: Sunrise And Little Clouds No. 11, 1916, and Morning Sky With Houses, 1916; and Blue, Green And Red, 1916, watercolor.
Georgia O'Keeffe exhibition, 291 Gallery, 1917
Installation view of five of O'Keeffe's works on paper mounted on a grey fabric wall. Works from viewer left to right: Train At Night In The Desert, 1916, watercolor and graphite; No. 15 Special, 1916-1917, graphite; double hung watercolors - Sunrise And Little Clouds No. 11, 1916, and Morning Sky With Houses, 1916; and Blue, Green And Red, 1916, watercolor.
Georgia O'Keeffe exhibition, 291 Gallery, 1917
Installation view of three O'Keeffe works on paper mounted on a grey fabric wall. Works from viewer left to right: an abstract composition; No. 8 Special, 1916, charcoal; and Train At Night In The Desert, 1916, charcoal.
Georgia O'Keeffe exhibition, 291 Gallery, 1917
Installation view of two O'Keeffe works on paper mounted on a grey fabric wall. Works from viewer left to right: an abstract composition; No. 8 Special, 1916, charcoal; a third painting, Train At Night In The Desert was cut out of the photograph.
Georgia O'Keeffe exhibition, 291 Gallery, 1917
Installation view of five of O'Keeffe's works on paper mounted on a grey fabric wall. Works from viewer left to right: Train At Night In The Desert, 1916, watercolor and graphite; No. 15 Special, 1916-1917, graphite; double hung watercolors - Sunrise And Little Clouds No. 11, 1916, and Morning Sky With Houses, 1916; and Blue, Green And Red, 1916, watercolor.
Georgia O'Keeffe exhibition, 291 Gallery, 1917
Installation view of three O'Keeffe works on paper mounted on a grey fabric wall. Works from viewer left to right: an abstract composition; No. 8 Special, 1916, charcoal; and Train At Night In The Desert, 1916, charcoal.
Georgia O'Keeffe exhibition, 291 Gallery, 1917
Installation view of three O'Keeffe works on paper mounted on a grey fabric wall. Works from viewer left to right: an abstract composition; No. 8 Special, 1916, charcoal; and Train At Night In The Desert, 1916, charcoal.
Georgia O'Keeffe exhibition, 291 Gallery, 1917
Installation view of three O'Keeffe works on paper mounted on a grey fabric wall. Works from viewer left to right: an abstract composition; No. 8 Special, 1916, charcoal; and Train At Night In The Desert, 1916, charcoal.